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See the Transformation
Drag the slider to compare the original RAW with the result after applying a preset.
Why I Created These Presets
Most of my landscape work happens in weather people avoid. Fog, rain, flat grey light — the kind of conditions that look dramatic in person and disappointing on the back of a camera. A RAW file from a misty morning in the Dolomites comes out flat and washed out, with none of the depth you actually stood in.
These presets are how I close that gap. They bring depth to the scene while preserving the mist, deepen the shadows and cool the colours just enough to bring the atmosphere back, without flattening everything into a dark filter.
I developed these presets over years of editing my photographs from around the world, from Iceland and the Alps to Madeira and Bali. I refined them for the scenes I return to most: mountains, coastlines, forests and wide open landscapes.
